Voice Over/Dialogue/Podcast

Mixing and Mastering

Live event

• Able to facilitate load-ins/out and coordinate backlineing with artists
• Microphone placement for vocals and instruments
• Sound system operation and maintenance, including mixers, power amps, mains, monitors, subwoofers, DI boxes and a variety of microphones and cables
• Mixing for room acoustics and artist preference
• Friendly, positive attitude, especially during inevitable day-of challenges
• Familiar with light-plotting basics and fader automation

Studio

• Competent with variety of recording equipment, including audio interfaces and pre-amps, rack-effects units, microphones, MIDI controllers, instrument amplifiers, power supplies, and monitoring systems
• Advanced DAW user (Presonus StudioOne and Adobe Audition)
• Experience recording, mixing and mastering full-band sessions

APPLICABLE EXPERIENCE

SOUND DESIGN (THEATRE)

• Pride and Prejudice, University of Montana School of Theatre and Dance, dir. Shane Bridger-Lutz, 2020 (incomplete due to COVID-19)
• Blue Day, Montana Repertory Theatre, dir. Michael Legg, 2019
• 4,000 Miles, Between the Lines Theatre, dir. Nathan Snow, 2018
• Hir, The Good Work Studio, dir. Hillary Sea-Bard, 2018

SOUND DESIGN (FILM)

• Outside, self-produced original short, University of Montana Media Arts

BOOM OPERATOR

• Beck Planby: Dimensions of Love, Fireweed International, Independent Short, 2022
• The Ooze, Fireweed International, Feature, 2019 (cancelled due to COVID-19)

RADIO

• DJ, KBGA College Radio, 2011-2018. Host of “Dirty Flannel.” Heavy/Loud music director. Recorded and produced interviews with artists independently for program segments, both live and remote.

AUDIO DESCRIPTION

• Audio description technician for independent describer, 2022-present
• Audio Description consultant, HJT descriptions, 2022-present
• Audio description technician and consultant, UM Theatre and Dance, 2019-20